The seven planets as the Renaissance magician understood them
Saturn to the Moon — metals, intelligences, hours, and seals, drawn from Ficino's De Vita, Agrippa's Three Books, and the Picatrix, with each claim marked by how firmly it's attested.
The Seal of the Seven — planets set in Chaldean order, the sequence the planetary hours run on. Select a glyph to jump to its correspondences.
Classical planetary magic, not astrology
This is a reference on the seven classical planets as objects of ritual practice in the Hermetic and Renaissance magical tradition — the metals they govern, the intelligences and spirits assigned to them, the hours named for them, and the talismans built to catch their influence. It draws primarily on Marsilio Ficino's De Vita Coelitus Comparanda, Cornelius Agrippa's Three Books of Occult Philosophy, and the older Arabic Picatrix that fed both.
If you're looking for the astrological end of this — how the planets are read and invoked through a horoscope rather than through ritual, metal, and hour — that's the focus of its sister reference, astrotheurgy.com. The two overlap at the edges; this site stays on the workshop side of the practice.
Three ways in
The Seven Planets
Each planet's intelligence, angel, and spirit, with the historical case for each name.
ReferenceCorrespondences
The full ledger — metal, day, colour, incense, stone, and seal for all seven.
UsePlanetary Hours
How the day and night are divided into hours ruled in turn by each planet.
VerifySources & Attestation
What's in Agrippa's own text, what's later tradition, and what's modern synthesis.